Thursday, January 24, 2019

Better Late To A Great Movie Than NEVER! CREED!!

Finally watched the well received boxing movie, 'CREED', and boy was that a good flick! Full of great scenes and superb, realistic 'street' dialog and emotions. Not a sappy 'scrappy loser makes good' tale but one where the struggle is emotionally difficult and the fall is always near -but the hero, famed (fictional) boxing champ, Apollo Creed's bastard son, Adonis Creed, vindicates his existence by following in the footsteps of the father he never knew. If you got the time (and the popcorn) you need to watch this movie. No nonsense great filmmaking!!! Can't wait to watch part 2 that came out at the end of last year [I'm so late to this 'Creed' film series-it's painful!]




Monday, January 21, 2019

Double Blows: 'Oscars So White' and '#Metoo' Movement Raise Questions Of Ligitamacy In Academy Award Contenders

Here's a well thought out article on how films can become embroiled in political movements and / or social causes (such as the 'Oscars So White' complaint) which may or in some cases may not ruin their chances of reaching a greater audience.

How Green Book and Bohemian Rhapsody Became This Year’s Oscar Villains

 

 

 

 

Thursday, January 17, 2019

You Can't Steal What's Already Yours Back From The People Who Borrowed It!


 
Fans are upset that the creator of a Star Wars fan film didn't get any money from the music that Disney sued him over because of an alleged copyright infringement. But why??? You are already using COPYRIGHTED AND TRADEMARKED MATERIALS to make your Star Wars film and YOU WILL GET MONEY FROM IT AFTER IT'S BROADCAST ON YOUTUBE. Why is everyone shocked that this system is perceived as two directional by the people that own the legal rights to it?? They should be able to make money off of YOUR MOVIE too WHICH HAS THEIR SUBJECT MATTER IN IT.

Disney has done no wrong. In fact this is revealing: more companies are going to start taking control of their content from the fans BECAUSE (I'm sorry to bust your fanboy bubble) YOU NEVER REALLY OWNED IT. It was on loan and the loaner (or LOAN SHARK) is coming to collect. And he's got the corporate muscle to do it.

Up until now corporations have been at a loss on how to deal with the rampant theft, plagiarism, copyright and trademark ripping on the Internet. Seems like they've finally figured it out: You make it, get your Youtube chump check -then we take it and make some real bucks off of it (after the lawsuit -of course!)

Tuesday, January 15, 2019

The 6 Million Dol- ER! The 6 BILLION DOLLAR MAN Movie (adjusted for inflation!) Is Almost Here!

The great old TV show, 'Six Million Dollar Man', starring Lee Majors, is being remade into a theatrical movie starring Mark Wahlberg (he of the 'Transformer' franchise). BUT the project is still being dragged along by Warner Bros. It'll take forever at this rate to get this great concept onto the big screen! The classic TV show had the best sci-fi intro ever! The Youtube link to it is provided below, as is the article to the '6 Billion Dollar Man' foot dragging going on behind the scenes.




https://movieweb.com/six-billion-dollar-man-movie-release-date-2019/

6 Million Dollar Man Original TV Intro

Tuesday, November 6, 2018

San Andreas (The Earth Quake Save) 4K

From 'San Andreas'! One of the most incredible disaster film scenes ever shot! If you missed this movie the first time around you missed an incredible visual experience. The incredible 'single take' shot through a building as it crumbles was worth a $100 movie ticket!!! Thank goodness we only had to spend about $10.00 on average (non matinee of course!) Enjoy!

How Editing Saved and Made Star Wars Great




This is a superb (and to the point --talk about editing!) examination of why Star Wars 'feels' the way it feels. That snappy, quick pace and sharp dialog was on purpose. And now we know how Lucas succeeded so grandly... his Editorial Force.

https://www.youtube.com/watch?v=GFMyMxMYDNk


Sunday, November 4, 2018

Boba Fett Is Ready For His (Helmeted) Close Up!



I sure hope that Disney has had enough of burning itself at the stove of mediocrity and terribleness; enough that they make sure they hire quality directors and writers and not flashy idiots (J.J. Abrams and most of the rest of the 'Rey Trilogy' films) for all of the Mandalorian episodes. The movie appears to be dead in the water but streaming episodic shows (such as 'Game of Thrones) is big now and that's where this will be seen. Then on TV perhaps. Some episodes can even be shown in the theater if they market it right. Anyway this is good news.

https://www.forbes.com/sites/davidkirby/2018/11/01/star-wars-tv-series-the-mandalorian-is-great-for-disney-and-fans/?fbclid=IwAR0a5eZUz-LDy4c9rlyaXfEGoXzgGrHzgDLdqhx5p8TNHIOy23lSe3ML7PA#3fcd9e04132a

Saturday, September 15, 2018

NOW SHOWING:  'A Simple Favor'


ANNA KENDRICK and BLAKE LIVELY'S new movie plays like a candy coated minefield and is a delight to watch unfold. It's humorous, treacherous, sarcastic and sexy all at once.
ANNA KENDRICK plays a deceptively innocent Internet website entrepreneur named Stephanie that's been on a hidden emotionally fall since a personal tragedy. She then meets someone who (apparently!) is the exact opposite of her in the woman, Emily, played to the hilt by the lovely but rough around the edges-feeling BLAKE LIVELY.
Once the two get to know each other a little bit more -and I stress 'a little bit' they begin a game of mental cat and mouse that soon involves the character Sean, (the husband of Emily), acted to perfection by HENRY GOLDING. The plot of this film is practically irrelevant; it plays second fiddle to the more important thing on demonstration here: that the people you think you know are more complex than you think and what's worse they have only shown you what they want you to see... because they have plans for you.
The director, PAUL FEIG, and cinematographer, JOHN SCHWARTZMAN, each did excellent jobs in graphically alluding to and revealing the true darker natures of the characters. Using solid lighting effects, muted tones, and vivid colors along with any necessary shadow play the cinematographer kept the film visually appealing. Meanwhile the director's unflashy, unpretentious style kept you concerned only with the plot -as it should be. All of this was set off by a sometimes bouncy, definitely irreverent, and without a doubt sharp script by JESSICA SHARZAR.
Having noted all of these things one of the most important qualities you'll notice about this film is the refreshing nod to real life random diversity of racial interactions. You have Muslims, Blacks, Asians, Gays and of course Whites casually interacting on a constantly changing basis. Like your modern American city you can be talking to an Egyptian at one moment, take a call from your Asian secretary the next, then get stopped by an obviously Gay gentleman looking for directions -all within 5 to 10 minutes of each other. I haven't seen a movie display so many different types of people within it's narrative so effortlessly.
Another unexpected bonus I got from this film was ANNA KENDRICK'S 'secretly horny nerd girl' appeal. Her nascent loveliness is of course well known but this film reveals a another level of her acting skills and charisma in general.
No regrets watching this movie indeed. So if you want a good 'little' film that flirts with the murder-mystery lover in you then go watch it!
George Alan Booker © 2018 All Rights Reserved